![]() ![]() At first, do not attempt to play the entire line, but instead play only the first bar, beginning on the Low A of the first bar, and ending on the first F# in the second bar. Note that a tempo of 70 bpm in double time is, in reality, a single time tempo of only 35 bpm. Set the metronome at a reasonable tempo, say 70 bpm, so that you can play each gracenote and embellishment correctly and with dead-on rhythm. A solid plan in learning a new reel is to use the metronome in double-time, wherein each beat and offbeat get a “click”. Thus, the “one” and “two” occur on each downbeat, while the “and” occurs on each offbeat. The monotone rhythm of a reel is typically vocalized by singing “one-ee-and-a”, “two-ee-and-a” for each bar. Figure 1 shows the first line of a well-known reel, "Captain Lachlan MacPhail of Tiree," composed by Peter Farquhar. #Metronome 40 bpm how toThis article continues along the path of how to approach using a metronome to improve our playing, but this time with a reel. Yes, it is also an unrelenting truth detector. As we mentioned in those posts, the metronome is a highly accurate and useful tool that can vastly improve our rhythmic accuracy and musicality. ![]() This article follows on previous ones that describe how to use a metronome in general, with a jig and 2/4 march. When you are learning a new reel, do you often have trouble playing the correct rhythm, or have trouble staying “on the beat”? There may be several reasons for the problem if this describes you, but using a metronome as you learn a reel may be just what you need. Reels can be two or four parted tunes, and each part is typically repeated. In cut time, there are two beats in a bar instead of four, which simply emphasizes the beats in a different way. A reel is in 4/4 time, but when written out, reels are most often written in a 2/2 time signature, also known as "cut time". In Scottish country dancing, the reel is one of the four traditional dances, the others being the jig, the strathspey and the waltz. ![]()
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